Author’s name: Anne Elisabeth Stengl

Title of book and/or series: Golden Daughter, book 7 in the ongoing Tales of Goldstone Wood

BEYOND THE REALM OF DREAMS

IS A WORLD SHE NEVER IMAGINED

Masayi Sairu was raised to be dainty, delicate, demure . . . and deadly. She is one of the emperor’s Golden Daughters, as much a legend as she is a commodity. One day, Sairu will be contracted in marriage to a patron, whom she will secretly guard for the rest of her life.

But when she learns that a sacred Dream Walker of the temple seeks the protection of a Golden Daughter, Sairu forgoes marriage in favor of this role. Her skills are stretched to the limit, for assassins hunt in the shadows, and phantoms haunt in dreams. With only a mysterious Faerie cat and a handsome slave—possessed of his own strange abilities—to help her, can Sairu shield her new mistress from evils she can neither see nor touch?

For the Dragon is building an army of fire. And soon the heavens will burn.

Most of the action in Golden Daughter takes place in the Noorhitam Empire, which is loosely inspired by a variety of East Asian cultures. My research focused primarily on ancient China and ancient Japan/Okinawa, but I also delved into Korean, Mongolian, and Thai histories, cultural practices, architecture, etc.

The empire itself is made up of a variety of subcultures, but the two most prominent are the ruling Kitars and the nomadic Chhayans. Two hundred years before the story of Golden Daughter takes place, the Chhayans were overpowered by the Kitar. The cultural clashes of the two people groups provide much of the drama for this tale.

You should definitely take time to visit Manusbau Palace, the home of the emperor. This palace is actually a series of beautiful complexes, gardens, and grounds—almost a mini-city in and of itself—fortified by magnificent walls. It is a sumptuous testament to the power and grandeur of the Kitar nation. Just be certain you don’t drink any tea laced with gold-leaf poison!

Built beside the palace and rivaling it in grandeur is the Crown of the Moon, an enormous temple dedicated to Hulan, the moon goddess worshipped by the Kitar and Chhayans alike. But while the temple is glorious indeed and well worth seeing, more interesting still are the humble ruins of an ancient House which stood on this site long centuries ago. The foundation stones of this House are still warm with the heat of the great conflagration that burned it to the ground . . . .

Noorhitam is crawling with enemies of the emperor, particularly the lethal Crouching Shadows, assassins from the neighboring kingdom of Nua-Pratut. You should also keep your eyes open for Chhayan bandits roaming the hinterlands of the empire. If they take you for a Kitar, they will show no mercy!

The Golden Daughters themselves—highly trained bodyguards of incomparable skill—are possibly the most dangerous threat you might face. Only if you threaten one of their patrons, however, so you should be safe.

Travelers may enjoy an eggplant mash seasoned with oil and a variety of spices and served with flat bread. In the palace of the emperor, you will be treated to teas, both black and herbal, candied fruits, and sweet pastries.

The Emperor of Noorhitam boasts a lethal artillery brigade of  longbowmen. Their bows are tall, and their arrows include weighted hare-fork arrows which can tear a man apart.

The Golden Daughters carry two knives which they hide up their sleeves. They are also trained in hand-to-hand combat and are comfortable with a variety of other weapons and poisons.

The Pen-Chan people of Nua-Pratut have discovered the secret of “black powder,” with which they have created dangerous explosives. So far they have managed to keep this secret from falling into the hands of neighboring nations, but it’s only a matter of time . . .

The Chhayans out on the wide plains of Noorhitam travel in gurtas, buffalo-hide dwellings on wheels, pulled by teams of buffalo. Not very fast, not terribly comfortable, but durable and providing decent shelter when the cold winds blow.

Pilgrims traveling to the various holy sites and shrines across the nation often ride mules or donkeys. Horses are considered the steed of noblemen.

Magic in my world is not really . . . magic, per se. Faeries abound in this series, and they have “magical” powers available to them (depending on the type of Faerie), but these are really more extensions of their Faerie selves than actual potions-and-spells magic. There are some characters who work enchantments and sorcery—and humans who dabble in Faerie magic are considered misguided and dangerous. But much of the magic of this world is not really magic in the traditional sense.

One of the major characters in Golden Daughter has the ability to walk in the Realm of Dreams. This is a strange, between-worlds dimension from which dreams are supposed to originate, and most mortals cannot access it. But the Dream Walkers are trained to send their spirits beyond mortal realms and explore deep into the Realm of Dreams and the surrounding dimensions. This could be considered a form of magic, achieved through concentrated meditation and chants.

Noorhitam is deeply devoted to a heavenly-spheres-centric religion personifying the sun and the moon as Anwar and Hulan respectively, and the stars—or Dara—as their angelic children. This was originally an old Chhayan religion, but when the Kitar people took over, they usurped the religion as well as the land (exchanging it for their vague ancestor-worship, which is now considered grossly out of fashion).

The Dream Walkers are considered sacred priests, using prayerful meditation to access realms beyond the mortal world with the hope of someday crossing the Dream and walking in Hulan’s Garden (a sort of Heaven where the moon and the stars are said to dance and sing).

There are quite a number of priestly orders, with the most prominent priests devoted to Anwar and Hulan, and lesser priests dedicated to the service of various Dara, such as the North Star, Chiev, and the star of the Emperor’s City, Maly. The duties of these priests vary according to their specific deities, but involve seasonal prayers according to which lights are most prominent in the sky.

Even priests devoted primarily to Hulan offer morning prayers to Anwar when he rises. Anwar is considered the most powerful of the celestial deities, although the High Priest is devoted primarily to Hulan.

Noorhitam is ruled by an emperor called the Anuk Anwar—which means the “Son of Anwar.” He is considered semi-deific and absolutely god-touched. He wields quite a lot of control, but intricate political dances require him to keep his various warlords and the clan leaders appeased.

The current Anuk Anwar of Noorhitam is a middle-aged man with a young face, fairly immature for his age. He isn’t particularly pleased with his lot as emperor, preferring the carefree life he used to know as a prince. He’s not above throwing his imperial weight around as he sees fit, however, and his warlords tread softly around him.

This book openly deals with the question “Where is God in times of suffering?” It was a difficult question to tackle, and not one I would have jumped into willingly. But when I write these stories, I spend a lot of time in prayer, asking God to lead me to what (if any) message He wants to communicate. My role is simply to be a willing vessel, and I earnestly seek to be open to His leading. In the case of Golden Daughter I was thrilled and amazed by the storylines I saw unfurling, by the message that bloomed naturally from the text and characters.

You can purchase Golden Daughter in ebook and print formats on all the major online bookshops! Amazon, Barnes & Noble, Kobo.

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