by Lisa Wingate
Paperback, 384 pages
February 4th 2014 by Bethany House Publishers
Allie Kirkland has never been one to take wild risks. But when she’s offered a costuming assistant’s job on a docudrama in the hills near Moses Lake, she jumps at the chance. She’s always dreamed of following in her director-father’s footsteps, and the reenactment of the legendary frontier settlement of Wildwood is a first step. The family expectations will have to wait.
Lisa, the Writer
Part IV of IV:
What sacrifices have you had to make to be a writer?
Writing two novels per year for two different publishers these last several years has been very time-consuming, especially while raising a family, driving carpools, and shuttling forgotten sports equipment to stadiums all over a three-county area. I’m still a mom, and I don’t want to miss anything, which often means that I’m up late or up early to finish my writing. I think for me, the sacrifice has probably come in terms of giving up time for hobbies and other things I like to do outside of the writing business.
What keeps me going is the pure love of story and at times the letters from readers. There is nothing more powerful than knowing that your words on a page affected a life, helped to inspire growth, or just walked through the dark night of the soul with someone. A few years ago, a reader wrote to tell me she’d couldn’t sleep on as the first anniversary of her young granddaughter’s death approached, so she picked up one of my stories. The book took her away from that pain for a while. It made her laugh, and that was what she needed. There’s an incredible sense of human connection in that. A story can literally transport the mind, and body, and soul to another place. It never fails that when I’m having a “down” day, a note will come in from a reader and remind me that the human side of story is what matters most.
What advice would you give other writers?
It’s gauche to talk about money, but don’t do it for the money. Everybody seems to think that becoming a full-time writer is the measure of success, but I would urge writers coming along to really take their time about making the decision to give up another career and write full time. Being financially dependent on writing as your livelihood adds a new level of stress. I’ve seen the way too many young writers make that jump too quickly, and that always seems to be the question at conferences, “Are you a full-time writer?” I don’t think you’re any more legitimate because you write full time or don’t. In truth, it’s more important to find out how to preserve the magic and enthusiasm that kept you sitting down at the computer when no one was paying you to write, and you weren’t sure anyone ever would.